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Musicology era 2003 - 2005
Don't U miss the feeling music gave ya back in the day? Now, dance But U're the perfect picture of what love should look like Never seen the moon look so lovely as the night I saw it with U
the follow up of the One Night Alone era, called the comeback of Prince
Now where I come from
We don't let society tell us how it's supposed 2 be Our clothes, our hair, we don't care It's all about being there... |
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cool, but wasn't it released in 2004?
Prince... Release those re-mastered albums with bonus tracks NOW for Christ's sake. I don't wanna wait no more. It's better NOW than never! | |
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released on April 20, 2004 partially recorded in Mississauga, Ontario, was his first to be recorded outside Minneapolis in many years. At the end of the song "Musicology" snippets of "Kiss", "Little Red Corvette", "Sign o' the Times", "17 Days" and "If I Was Your Girlfriend" can be heard. At the time of release Prince was quoted as saying he wished the album to provide musical education to listeners.
Now where I come from
We don't let society tell us how it's supposed 2 be Our clothes, our hair, we don't care It's all about being there... |
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the production of it started late 2003
the video 4 Musicology was shot in Oct 2003 the tour started in 2003 before the album dropped Now where I come from
We don't let society tell us how it's supposed 2 be Our clothes, our hair, we don't care It's all about being there... |
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Awesome cd
Awesome boots.
And he never toured Canada, only touched on Vancouver and Toronto and that was it Edmonton, AB - "hush nubbits" ! REAL MUSIC by REAL MUSICIANS "I kind of wish there was a reason for Prince to make the site crash more" ~~ Ben |
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Ok, thank u OF4S.. but I was referring to the headline "2005-2006"...
btw Musicology is better than 3121, Planet Earth imho. Prince... Release those re-mastered albums with bonus tracks NOW for Christ's sake. I don't wanna wait no more. It's better NOW than never! | |
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omg 40 is upon me, I saw 2003-2005 lol omg thanks
Now where I come from
We don't let society tell us how it's supposed 2 be Our clothes, our hair, we don't care It's all about being there... |
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What is MUSICOLOGY? The Musicology Download Store offers u the oppor2nity 2 purchase and download music by Prince directly from the source.
Now where I come from
We don't let society tell us how it's supposed 2 be Our clothes, our hair, we don't care It's all about being there... | ||||
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haha, cool...
I love this pic,
Prince > the Musicology tour made him the Top Money Maker 2004.
The tour earned the biggest amount of $$$$ in 2004: grossing $87.4 million. credits, from Rolling Stone, 2004/ 2005.
. [Edited 1/18/12 4:08am] Prince... Release those re-mastered albums with bonus tracks NOW for Christ's sake. I don't wanna wait no more. It's better NOW than never! | |
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awwwww since he record half of it in Canada he could have least given Canada some love right? Now where I come from
We don't let society tell us how it's supposed 2 be Our clothes, our hair, we don't care It's all about being there... |
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^
the Musicology band:
Prince... Release those re-mastered albums with bonus tracks NOW for Christ's sake. I don't wanna wait no more. It's better NOW than never! | |
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^
Prince... Release those re-mastered albums with bonus tracks NOW for Christ's sake. I don't wanna wait no more. It's better NOW than never! | |
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^
October 10. 2003 802 S. Broadway Los Angeles 1927 by architect S. Charles Lee | Musicology Video Shoot
http://prince.org/msg/5001/65091" target="_blank">http://prince.org/msg/5001/65091
I arrived exactly at 3:00pm, right behind what I'm guessing was Prince's black Mercedes limo, and immediately met up with some of the usual suspects (Jeremy-J7, Tamiko, Chris, and Karrie). I had come with hair and make-up "camera-ready" as per the instructions, but had my various "costume" pieces in a bag. At the base camp, however, I noticed that most people were already dressed, and I was still in my work-out pants and chanclas (to'-up slippers for the non-Spanish speakers). Since we were informed that the "fan background" would not be checked in for another hour, I went back to the parking lot w/J7, and with him and Monique as look-outs, I changed out of my grubbies and into a cocktail dress (what an odd sense of deja vu swept over me as I struggled into my clothes in the backseat of a car...j/k!)
We went back to camp and looked for a spot to sit for what would turn out to be quite a long wait.}}} But for the most part, people seemed to make the most of it, socializing and people-watching. Eventually, we were lined up to go into the wardrobe tents and have our 'costumes' approved or, if necessary, changed. Wardrobe was satisfied with the dress and strappy heels I had on, so I took my bag back to the car and then it was back to the wait. Some beautiful Bumpsquad-ettes (sounds like a drill team) representing were Tamiko, Monique, Karrie (what a trouper!), Ruth, Krystina, Sylvia, Dee Dee, Lyn, and Dara, all looking very lovely, and the guys J7, Alan, Chris G, Edgar, Kevin and Lawrence all very "fly," as the kids say, in their suits and ties. Finally, we were called, and we trotted across Spring Street to the Tower Theatre (one of the old, semi-abandoned movie palaces that one can still find in downtown Los Angeles). As we filed down the alley behind the theatre, we passed Maceo noodling around a bit on his sax, and Blackwell was in the back of the truck that probably transports the instruments. We could hear some of "Musicology" playing as we walked past the open back entrance of the theatre. But just as our group was about to go into the theatre and after a few of us were picked out of the line to go inside (J7 said it was like standing behind the velvet rope at SkyBar), the rest of us were sent back to camp to be fed (Domino's cheese pizza, and believe me, after 6 hours of Cheetos and water, it was the most delicious pizza EVER!) Some of us were starting to worry that we were literally all dressed up with nowhere to go. Were they really going to use us in the video, or had we just wasted an entire Saturday sitting in a parking lot in downtown L.A.? Aside from being a "seat-filler" once at the Emmys, I had never done anything like this before, and though I knew that filming anything involves a lot of waiting around for the actors and extras, this seemed to be wearing on for too long, and the paid extras had already been called for what seemed like hours. We were assured, though, that we were going to be used, and as a matter of fact, could we please call others to come down? They needed all the extras they could get. Eventually, the 'chosen few' (Tamiko, Edgar, and Alan) came back and reported that they'd been used in a scene where a crowd stood in a circle as a couple of guys danced, as well as in a scene where the club-goers are hanging in the club, enjoying the music. They also reported that they liked what they heard of the song. About five minutes after an eternity, we were finally called again. As we stood outside the front entrance of the theatre, we were warned not to bring anything inside that was not part of our costume (you know the drill - no cells, cameras, or recording devices of any kind), and we were wanded before being let in. By then, we had been joined by Angie, Matt (good to see you again, Sarge!), and James, thanks to Krystina's phone calls. We were led upstairs to the balcony. I could see that the small theatre had also probably been a club for live music, because there was a good size dance floor in front of the stage. The theatre had a really cool, faded beauty. You could see that back in the day when going out to the movies was really an event, it was a beautiful place with the the ornate moldings, banisters, and balconies, the mural medallion in the ceiling, etc. It was a perfect setting for the retro feel of the video We lined up along the banisters on each side of the second level of the theatre and had a good view of the stage. Once again, the director's assistants started picking people to position them in certain spots. Chris G, Karrie, Tamiko, Sylvia, Kevin, Matt, Dara, Oscar, Lyn, and J7 and I were some of the people sent downstairs to fill in the audience, and I saw Alan, Ruth, Edgar, Krystina, and Monique in the balconies on either side of the stage. The dancers and the band (Rhonda, Rad - both gorgeous, Renato, Maceo, Blackwell, and Greg Boyer) took the stage. We got our directions to be really hyped, and excited, and respond to whatever happens on stage as if it was a live peformance. Like they had to tell us! Some of us were already cheering before the cameras were rolling just because Prince strode toward the stage to take his position. The music started and Prince bounded onto the stage. We in the audience were going nuts and dancing to the music, and I can tell you, at least on my part, it wasn't all acting. Even lip-synching, Prince is immensely fun to watch, especially in an energetic and funky performance like that. Not to mention, I thought he looked hot as ever. He's got a little 'fro going on, and I'm liking the suits he's been favoring lately. And those eyes...(ahem!) moving along now... Oscar did a good job of describing the music and the vibe as reminiscent of "Rock n' Roll is Alive," but perhaps with an extra edge of funkiness. As for the video, as Oscar again well described, there were parts where dancers make their way onto the stage and dance a bit before police in riot gear shove them off. There was some realistic shoving going on. I had anti-war protest flashbacks for a second there. But the whole thing looked great from where I stood - very high energy, very fun. They did about three or four takes, and I was really feeling the song. It's much different than what was played at BB King's before the aftershow at the Aladdin DVD screening. After the last take with the band, we did three more takes of a shot of the little boy being carried to the stage by his dad to dance. While we were postioning up for the shot, the band was watching us from the side. I saw Prince walk up to them hand in hand with Mani (she is so petite! She's barely his height with very high heels on, though to be honest, I didn't check to see how high his his heels were!) Alright, I've gone on enough. The night finally ended at about 1:30. My feet were killing me, and I still can't get the feeling back in some of my toes. But all in all, it was a fun experience, and I look forward (fingers crossed) to the day the video makes it's debut. One last thing - much, much love to those of you I mentioned, and also those of you I may not have mentioned due to my poor memory and fatigue. Once again, you've made this experience even more fun and special because you were all there and we shared it together. Peace! ![]() Now where I come from
We don't let society tell us how it's supposed 2 be Our clothes, our hair, we don't care It's all about being there... |
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A magazine from Cleveland when Prince played there in 2004:
A couple of shots from the Gund Arena in Cleveland. I had nose bleed seats so it was easier to take pictures of the big screen:
Rock N Roll Hall of Fame display:
Making love and music are the only things worth fighting for. Making love and music are the only things worth fighting for. | |
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the premiere pic of the Musicology cover artwork:
Credits: from NPGMC. Prince... Release those re-mastered albums with bonus tracks NOW for Christ's sake. I don't wanna wait no more. It's better NOW than never! | |
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Yeah!
I really like this dvd....
ps: --- I hope it's ok to post this pic, mods? Prince... Release those re-mastered albums with bonus tracks NOW for Christ's sake. I don't wanna wait no more. It's better NOW than never! | |
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^^ It is Now where I come from
We don't let society tell us how it's supposed 2 be Our clothes, our hair, we don't care It's all about being there... |
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Musicology - at Madison Square Garden, 2004:
1.Musicology
(Acoustic Set)
21.Sign O' The Times 19.Bambi 20.Whole Lotta Love 21.Let't Work 22.U Got The Look (Prince& Sheila E) 23.Life O'The Party 24.Knock On Wood 25.Kiss 26.Take Me With U 27.Call My Name 28.Purple Rain
credits, from Housequake.com
Prince... Release those re-mastered albums with bonus tracks NOW for Christ's sake. I don't wanna wait no more. It's better NOW than never! | |
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2004, Prince was back as a major artist...
- at least on the cover of RS...
Burning Down the House Prince is responding to a description of the torrid version of "D.M.S.R." -- a jam from 1999 touting the virtues of "dance, music, sex, romance" -- that he and his backing band, the New Power Generation, unleashed earlier that evening at the sold-out Gund Arena in Cleveland. It was a full-on funk stomp that got the house up and shaking. Hammering only begins to convey the performance's pulverizing rhythmic assault. "Pulverizing! That's good, too," Prince says, laughing again. "What you see is people responding to what this band is -- and what we're doing." It's just twenty minutes after the show, and, at a time when most performers would be just beginning to cool down, Prince is utterly composed. He's crisply dressed in a purple tunic and black pants and looks as if he has spent the evening relaxing in his living room rather than burning down a 20,000-seat house. But that's how effortless things seem to be of late for the forty-five-year-old musician. Everybody in the Prince camp -- most definitely beginning with Prince himself -- bristles when anyone suggests that the current wave of Princemania constitutes a "comeback." The official line is that he never went away. From a strictly literal standpoint, of course, that's true. He's been as busy as ever, using his own label and his Web site, the New Power Generation Music Club, to release CDs such as The Rainbow Children (2001) and N.E.W.S. (2003), as well as the DVD Prince: Live at the Aladdin Las Vegas.
But whether or not you buy the message that Prince never left, it's clear that many of his millions of fans had gone somewhere in recent years, and now many of them are staging a comeback of their own. Suddenly, liking Prince doesn't feel like such a chore; in fact, it's fun. His stripped-down, pleasingly straightforward new album, Musicology, delivers on the promise of his spellbinding performances earlier this year on the Grammy Awards broadcast and at his induction into the Rock & Roll Hall of Fame. His live shows have become ecstatic parties, sweaty, two-hour romps through the likes of "Controversy," "U Got the Look," "Take Me With U" and a sizzling version of Sam and Dave's classic "Soul Man." Nearly a recluse before, Prince is now all over the media, chatting on talk shows, posing for photographers, being interviewed by reporters. It's like an old friend has returned. Indeed, the spring of 2004 is beginning to feel like the summer of 1984, when Purple Rain made Prince one of the biggest rock stars in the world. When he sings, "Don't you miss the feeling that music gave you back in the day?" in "Musicology," he might as well be speaking about his own music. After abandoning his name for an unpronounceable symbol, after painting the word "slave" on his face as part of a battle with his record label, after disowning decades of his own work, Prince is enjoying himself again. And, as always, his enthusiasm is irresistible.
"I was offstage, listening to Michael Phillips take his solo," he continues, alluding to the instrumental portion of the show in which the saxophonist takes a long, atmospheric excursion during "God" while Prince changes clothes and takes a break. "I was thinking, 'Wow, listen to those people responding, and all he's doing is playing a saxophone.' They can feel that what he's doing is real. So many shows now, they have pyrotechnics, pre-taped vocals and musical parts, and it's so dead. But here's one man breathing into an instrument, and the whole room feels alive. It made me want to rise up to that level when I came back onstage."
Part of the goal of the Musicology album and tour is to connect audiences once again to the power of live music. "Take your pick -- turntable or a band?" Prince challenges on the album, and his concerts are like a clinic in inciting the sort of pandemonium that only a band can create. That's true even for the players themselves. "This is school for me," says Phillips, 27. "Every night I watch how he connects his gift to the crowd. I've spoken to him about it. He told me that playing a solo is like making love. You have to pay attention to the things that make your partner respond -- and space them out so they come at exactly the right time. It's one big, long orgasm."
Prince's deal with Columbia: Because "Musicology" is so listener-friendly, Prince overcame his near pathological wariness about record companies and agreed to allow his lawyer to work out a deal with Columbia Records. Columbia, which is part of Sony Music, will distribute and help the market the album domestically ( and be reimbursed for the costs of doing so) and license it for sale in the rest of the world. It's an arrangement that essentially requires no upfront costs on the label's part, while providing a strong profit incentive for the company to sell as many copies as possible. On his end, Prince gets the enormous reach of an international corporate powerhouse. According to Sony's president, Don Ienner, the label has filled orders for upward of a million copies of the album worldwide. "And with the first copy shipped, we started making money," he adds. "We have really high expectations for this, and, though there are no guarantees, we hope to remain in business with Prince for a long time. How often does an artist of his stature become available on any terms?"
Prince receives no payment from the label. But retains complete ownership of the album. He also gets a much higher percentage of sales than he would under a more traditional arrangement. "One advantage of writing "slave' on my face back then was that when I meet with a label now, they already know they're not going to be owning anything", Prince says wryly. "Maybe at one time they could get Little Richard for a new car and a bucket of chicken. We don't roll like that no more.
Being at Peace: "I feel at peace. I knew it would take time, and I had to deal with a lot of ridicule. But this feels like peace right now. Spiritually I feel very different from the way I used to, but physically? Not at all. I don't look at time that way, and I don't believe in age. When you wake up, each days looks the same, so each day should be a new beginning. I don't have an expiration date."
About Tom Petty: "It was an honor to play with Tom Petty (at the Rock N Roll Hall of Fame ceremony). "Free Fallin'" is one of my favorite songs. I used to love whenever he would come on MTV, because you knew you were going to get a great tune. MTV isn't like that anymore." "Kiss" Highlight: For a tumultous run of songs at the end of the Cleveland show, Prince invites perhaps two dozen women in the audience onto the stage to dance. One willowy girl wears a purple two-piece bathing suit festooned with the gylph that had become the singer's name for a time. Prince struts over to her, and she becomes his dance partner during "Kiss". After the line "Act your age, not your shoe size", he holds the mike out for her, and right in tune, she sings, "And maybe we can do the twirl!" Prince's eyes widen and he yowls, "Wooo!" "The security guard wasn't going to let her get onstage", Prince says backstage after the show. " I said, "You can't send that girl home dressed like that!"
Prince... Release those re-mastered albums with bonus tracks NOW for Christ's sake. I don't wanna wait no more. It's better NOW than never! | |
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German CD single
The B-side of the single is the Musicology track On the Couch, a seductive ballad with a gospel flavor. In addition, Prince released a song on his website titled Magnificent, which was listed as the virtual B-side to Musicology.
Heard about the party now
Just east o' Harlem Dougie's gonna b there But u got 2 call him Even the soldiers Need a break sometimes Listen 2 the groove ya'll Let it unwind ur mind No intoxication Unless u c what eye c Dancin hot n' sweaty Right in font of me Call it what u like I'm gonna call it how it b This is just another one Of God's gifts Musicology Keep that party movin Just like eye told you Kick the old school joint 4 the true funk soldiers Musicology Wish eye had a dollar 4 everytime u say Don't u miss the feeling Music gave ya Back in the day? Let's Groove September Earth, Wind and Fire Hot Pants by James Sly's gonna take u higher Minor keys and drugs Don't make a rollerskate jam Take ur pick - turntable or a band? If it ain't Chuck D or Jam Master Jay Know what? They're losin' 'Cause we got a PhD in Advanced Body Movin' Keep the party movin' Just like eye told u Kick the old school joint 4 the true funk soldiers Musicology
Now where I come from
We don't let society tell us how it's supposed 2 be Our clothes, our hair, we don't care It's all about being there... |
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Now where I come from
We don't let society tell us how it's supposed 2 be Our clothes, our hair, we don't care It's all about being there... |
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Prince released a song on his website titled Magnificent, which was listed as the virtual B-side to Musicology.
Magnificent
Now where I come from
We don't let society tell us how it's supposed 2 be Our clothes, our hair, we don't care It's all about being there... |
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Very true. The first official track he released from the project was "Reflection" through the music club and that was in 03 also. **--••--**--••**--••--**--••**--••--**--••**--••-
U 'gon make me shake my doo loose! http://www.twitter.com/nivlekbrad | |
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I dig the suit and I dig the band!! Xpectation Surrender Falls N2 This Power Fantastic! kNOw! | |
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ummmmh....excellent is right...I saw Prince 9 times during the Musicology Tour...only time in my life I ever did anything like it...I called it My Healing Tour...thank-you for the excellent pictures and I thank Prince for the blessings...of him | |
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ahhh didn't know that.
There is the double world we have 2 track side by side, the virtual world and the 'physical' world Now where I come from
We don't let society tell us how it's supposed 2 be Our clothes, our hair, we don't care It's all about being there... |
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HOTTTTTTTT!!!!!!!!!! Prince is so photogenic If you like random political randomness →http://www.idiotamerica.us/ | |
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Question about this dvd: Do you also have the songs 8,9,10 full band, Life 'O the party, Soul Man and Kiss? I never saw this footage before. My dvd ends after the acoustic set with a short interview.
Anyone can shed a light on this?
Cheers!
Doc. | |
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the Entertainment Weekly cover pic 2004.
I unsure why these 2 are named "Essence", it is the same photo shoot, right?
Prince... Release those re-mastered albums with bonus tracks NOW for Christ's sake. I don't wanna wait no more. It's better NOW than never! | |
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